A imaginação na série “Divertimento com sinais ortográficosâ€, de Alexandre O’Neill
DOI:
https://doi.org/10.21747/2182-8954/ely17a4Abstract
This article discusses Alexandre O’Neill’s poetry series “Divertimento com sinais ortográficosâ€, analyzing the poetics of its graphic signs, and more specifically, how they both create visual poetry, and reflect surrealism’s focus on the imagination.


